Drawing the viewer even further in, Kubrick is able to play tricks on the mind, and SCARES! This space becomes the viewers focus as the camera is brought closer to the door, and curiosity drives the viewer to search the space beyond as new angles are revealed to them. But the bafflement is baked into the pie – it’s what makes the film so primally terrifying and unsettling to experience, and what teases the brain into trying to solve it. Around any corner, there may be room full of death, or at least something that would terrify you as soon as you got a glimpse of it. As the plot progresses, a new tone breaks the silence and resides in key locations throughout the hotel. If these sequences of action were shot in a less directed/confined space they would lack this third dimension that conveys the grandness of the Overlook Hotel. Kubrick’s symmetry could also play with the duality of the characters. Also, certain spaces could be presented as being quite small or claustrophobic, so that the characters in the film feel as though there are no means for escape from a dangerous situation. The soundtrack that accompanies the various rooms in the Overlook plays a vital role in the craft and creation of feelings of horror and suspense experienced by audiences worldwide. With the characters taken out of the scene the focus is shifted to the surrounding environment, which seemingly becomes more interactive. Simply due to the nature of recording an event with a hand-held camera, the recorded scene is given a human perspective. Others are mostly cockamamie, like the theory that Kubrick had made the film as an apologia for his role in faking the moon landing. For many people, the ghosts are the scariest part of the movie. (The shining is a relatively rare power to begin with, and Danny's shine is extremely strong and powerful). The Shining is a gothic horror novel by Stephen King, first published in 1977. Whereas if you look at the website for the Timberline Lodge there is no evidence of the Shining being filmed there, inferring that the hotel may think visitors would associate the hotel too much with the nature of the movie and discourage them to visit. The series of spaces which are created by Kubrick in these ways create a buffer of experience which encapsulates and insulates the viewer against their previous feeling of safety. Stanley Kubrick and his production designer intentionally wanted the Overlook to look like a fusion of different parts of real hotels, rather than a unified whole with a single design theme. As a collective we have projected meaning onto a variation of colours and in return these colours recall those projected meanings when we observe them and contribute to the heightened anxiety in different spaces. Two possible solutions where to lock up someone (Jack) inside in case of danger. Posted by 2 days ago. We open doors, navigate around objects, and analyze points of interest. http://en.wikipedia.org/wiki/Id,_ego,_and_super-ego. There is an somewhat uneasy and unnatural feeling to a symmetrucal shot that adds greatly to the sense of suspense. A boy’s special perception and a possessed hotel interact with deadly results in the novel “The Shining” by Stephen King. One of the most terrifying things about The Shining is the Outlook Hotel as the setting of the film. Like a lot of Kubrick’s work, especially the films toward the back half of his career, The Shining was greeted first with bafflement and hostility before people started to come around on it. The majority of the mysterious and atmospheric scenes take place in a setting with the unusual carpets: when Danny sees the deceased twins in the hallway or when Jack enters room 237 to find the ghost of the deceased wife. Like Jack Torrance, the murderous caretaker played by Jack Nicholson, it’s starting to feel like we’ve always been here. The scene doesn’t try to analyze everything at once; instead it focuses on the specifics one at a time, much like we experience the real world. Question: How do the sound effects feed into the manipulation of the depiction of the spaces in the film? Moreover, Winter plays a sound game with the kids as he demonstrates his “tools”. The maze and back facade of the hotel were also built on the set, with the use of polystyrene chips, salt and smoke machines to recreate the cold snowy environment. Alternately, a foggy setting with little light could also produce a feeling of danger of the unknown, while not as being as obvious as the use of the colour red. In the scene where Danny and Jack are racing through the labyrinth, the silhouette is created by the powerful exterior light fixtures at the depths of the scene and in turn frames the very light that creates it. The intensity of the cool light merges with the snow on the ground and the tall hedges. I can imagine a literal representation of the foreshadowing of danger to be a set of warning signs, or physical clues that appear in the film. The use of the hotel in this film is a more traditional use of building. For example, when Danny is approaching room 327, the unsettling music becomes louder and louder. Compare the choice of music in this film to the use of music in any of the other films we have viewed this term. The only way, of course, for Danny and his power to remain at the Overlook forever was for Danny to die there. The documentary Room 237 has been called a "DIY mashup" of the many theories put forward over the years as interpretations of Stanley Kubricks's 1980 horror classic, The Shining. Eclipsed perhaps only by its 1980 film adaptation, the novel is one of the most popular and enduring horror stories of all time. The hostility has faded as the film has gotten more widely recognized as a horror staple; the author Stephen King still famously dislikes what Kubrick did with his book, but the recent adaptation of King’s sequel, Doctor Sleep, leans heavily into the film’s iconography. Shine is the ability to read minds, communicate telepathically, or see past and future events. How does the difference in the tone or character of the sound of these spaces begin to direct your feelings throughout the film? The strange voices are used within the title music and unsettling music is played to show all the abnormality of the hotel. Stephen King (Goodreads Author) Topics About This Book Topics That Mention This Book. In Kubrick’s film “The Shining”, the use of symmetry is everywhere. As the film progresses, sound effects are used to convey the totality and hopelessness of the Torrence’s isolation. (metal/knives/axe/pots, liquid/blood, carpet, wood, plaster, mirrors and any other materials that you feel are key to the development of the sensibility of the spaces as they support the plot. Finally, sound, or more specifically the use of echoes, could also be a huge asset in portraying just how large some of the spaces are meant to be and creating that same feeling of isolation experienced in the movie. As the plot progresses, the soundtrack consistently leads the audience into states of suspense and expectation before various scenes of horror or surprise. Is The Shining serious literature? The tracking shot illustrates a highly vulnerable character by not allowing the viewer to predict what is coming. The snow and fog transfer the feeling of cold an unsafe condition outside but at the same time although it is vague but it’s somehow feels safer. Interestingly, he appears to blend in with the surroundings, symbolizing the power the hotel has enveloped over him and how he has surrendered all control. In the latter case, Jack paces through the corridor, internalizing the demons that lead to his progressive insanity. The key difference is that in the Labyrinth there aren't doors, there are no barriers; there is just a free choice, it's all up to people walking there. Please cease and desist from removing references to Dick Halloran's race to the plot summary to this article. Find summaries for every chapter, including a The Shining Chapter Summary Chart to help you understand the book. You cannot feel protected in a space if the spirit of death can almost magically make the word “MURDER” appear in the bedroom mirror. If the colour red is used in the presentation of the spaces in the film to foreshadow and symbolize danger, fear, anger, blood, passion and pain; some significant changes would have to be made to achieve a similar feeling if shot in black and white. An extreme close–up, where only the face fills the frame, is usually used by a director when a character’s deeper emotion is of concern, often almost as if the camera were trying to get into the character’s head. How does the “lack” of a steadi-cam feed into a different perception of both the space and the action/narrative that he is telling with the space. Lastly the material of snow plays an exemplary role in illustrating the cold which is Jack’s Madness and the helplessness of Wendy as she is also isolated with the nature of Jack’s cognitions. Share; Tweet; There are many reasons why Stanley Kubrick’s “The Shining” is considered one of the most influential horror movies of all time. I liked Groucho's suggestion that the hotel collects souls - … Much of the film’s power comes from transforming the initially benign (though somewhat intimidating and badly decorated) spaces of the Overlook Hotel into settings for terror using various filming techniques including extreme camera angles, long view shots, aerial views, close-ups and hand-held camera work. Each reading has discussion prompts meant to encourage thoughtful and entertaining group interaction. But the geometric patterns in addition to the colours create this mesmerizing pattern. (referring specifically to ones where the cameraman is walking backward while the actor is coming towards). He is in a world (a room) completely isolated from reality, so to speak. Archived. The moment that a fully gone Jack Torrance leaps out in the lobby to murder poor Dick Hallorann, however, is still quite a big shock in the movie. The haunting music from the local Portuguese band is equally integral to the film. Shining is a Sarkaz medic, a former member of the Sarkaz medic group "Confessor" and current member of the infected assistance group, "Followers". Kubrick’s sense of humor is one of his less appreciated qualities, even in non-comedies like Barry Lyndon or Eyes Wide Shut, and The Shining relishes the opportunity to goof on the horror genre, whether through the flourishes of Nicholson’s performance (“Heeeeeere’s Johnny!”) or the odyssey of the Overlook’s head chef (Scatman Crouthers), who answers Danny’s psychic SOS, only to get an axe in the chest. Many of these fairly innocuous/banal from an architectural perspective. Published on 09/05/2020. In the first example scene, where Danny is sitting on the patterned floor playing with some toys, the patterned floor is presented in a symmetrical way to make the space appear endless (left image). “All the best people” stayed at The Overlook, Jack is told, and where have you heard that phrase before? Hood in Oregon. It’s been 40 years since Stanley Kubrick’s The Shining axed its way into theaters on May 23, 1980. Question: Referring to the above question (25), comment on the changes that might be necessary if this film were to be shot in black and white in order to achieve a similar feeling. ‘Shining’, a telepathic communication that moves through mind to mind, through space, time and memories, builds a close relationship with the presence of television throughout the movie. Of the theories swirling around The Shining, the one that seems the most plausible 40 years later is The Overlook as a metaphor for the horrors wrought by the American elite, which ties into the cloistered world of Kubrick’s Eyes Wide Shut and his career-long skepticism of the powerful. Also, the geometric, optical-illusion carpets that are so prevalent in the film could be transferred as wall treatments, duplicating the unsettling feeling they induce in the movie on the stage. The wife, for example, wants to get out and each minute staying in the hotel becomes more difficult and longer. The beautiful girl met by Jack Torrance in the 237's bathroom, or the word MURDER wrote by Danny. "The Shining" Book Discussion and Orange Butter Loaf Cake Recipe. The Shining ends by zooming in on one photo in a grid, then settling on Jack as one person in a large crowd. The corridors of the Overlook Hotel are central to important metaphors in The Shining. Are Kubrick's close ups different from those of other directors (either that we have seen this term or other films that you might like to cite). .doc format to: firstname.lastname@example.org I Here, backlighting, works as a revealing device by eliminating the depth of the objects in the foreground—creating silhouettes—and directing attention elsewhere. The power of shining is first revealed in the scene where Danny is standing in front of the mirror at home in the presence of a TV in the reflection. Email me your responses in Word There is a sense of urgency in the shots that imply some sort of event for a resolution. Talk about the types of sets required and the ability to use the weather to alter your interpretation of the spaces. All in all, the use of geometric patterned carpets was intentional and helpful in creating the atmosphere of the Overlook Hotel. Whether the scene is calm or highly tense, this is the shot that is used in dialogue. Activated spaces become dormant while small pockets of activity occur within there framework. It seems that the implication may be that the benefit of a fortified space is next to useless if the ever-present exterior threat of death can insinuate itself even there. From the outside nothing can be certain and there are always so many questions from the exterior. The high and low camera angles, found respectively in objective and point of view shots in The Shining generally serve to diminish the size of the viewer, or the character in the movie which the audience is emotionally drawn to. This is a particularly intriguing juxtaposition: being able to see what the person on the screen is unable to see, while character can see what the viewer cannot. Is the novel ever funny? By the end of the film, wind is heard in nearly every scene, and the hotel has begun a continuous, demonic whisper, urging Jack forward after Danny, and threatening to drive Wendy mad, as the rooms begin to reveal to her the hotel’s tortured past and the souls trapped within. The Shining set itself apart from so many of the popular horror movies that would emerge throughout the 1980s simply by not being about the kills. 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